In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

Caravan Production, Hiros, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

In conditions of solitude – as for travelers or prisoners – people have often resorted to writing letters as a means of communication with their closests, revealing the very sensation of being in isolation. Sam Melville has done so from the Attica prison, where he was held on charges of sabotaging public property in protest of the Vietnam war, and where he would die during the Attica prison riots in 1971.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

Caravan Production, Hiros, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In his solo performance Being Moved, Simon Mayer explores different states of „being moved". What moves us? What does it mean to be moved? How can we let go and surrender to the present moment?

In conditions of solitude – as for travelers or prisoners – people have often resorted to writing letters as a means of communication with their closests, revealing the very sensation of being in isolation. Sam Melville has done so from the Attica prison, where he was held on charges of sabotaging public property in protest of the Vietnam war, and where he would die during the Attica prison riots in 1971.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

Gallop (Biography of a Body) tells the bizarre story of the life cycle of a body. It is a chronically ill body that has reached a turning point after forty years, and often seems to have a life of its own. Its service fails and resistance loses.

The act of speaking and the uncanniness of the voice are in the center of Begüm Erciyas' research. With Pillow Talk, Erciyas presents another performance, in which the voice remains an inscrutable medium.

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In newpolyphonies 4 singers of HYOID join forces with 15 performers in a curious high mass about little differences with big impact.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In the fashion of a radio series, two performative works form the first two episodes of we dreamt of utopia and we woke up screaming. A broadcasting company at times, and a foreign broadcast monitoring centre at others, they explore new ways of 'exhibiting' and activating a unique and little-known archive of a time when Algiers was dubbed the 'Mecca of Revolution'.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Voicing Pieces, one's own voice is staged to become the protagonist. In the intimacy of an isolated sound booth, guided by a simple score, the audience becomes spectator of their own voice.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.