This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.
In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.
This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.
In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.
In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.
Vooruit,
Gent, Belgium
El cantar del playo or... a song is a rose is a thorn is Mario Barrantes Espinoza's third multimedia performance. With it, he revisits the sound and text worlds of the gay night scene in Costa Rica in early 2010 - a time in which he began to explore his sexual identity, also the year in which the music genre later known as plancha popularized.
Concertgebouw Brugge
[Dag van de Dans 2022],
Brugge, Belgium
In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.
In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.
In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.