SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that "money rules the world", are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

Gaëtan Rusquet's the eYe in the light in the eYe resonates with Brancusi's self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that "money rules the world", are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

One day a month, Caravan Production, Hiros, workspacebrussels and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish arts decree. From administration, production, distribution, communication to accounting, an extended team is at their disposal to share their experiences and exchange knowledge.

One day a month, Caravan Production, Hiros, workspacebrussels and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish arts decree. From administration, production, distribution, communication to accounting, an extended team is at their disposal to share their experiences and exchange knowledge.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that "money rules the world", are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

One day a month, Caravan Production, Hiros, workspacebrussels and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish arts decree. From administration, production, distribution, communication to accounting, an extended team is at their disposal to share their experiences and exchange knowledge.

Several Belgium-based artists are invited to present their practice through talks, videos and (fragments of) their work and research. This encounter and exchange is created for programmers and professionals active in the performing arts field.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Both, Two Tussing & Vanderbruggen examine the duet, the smallest unit of togetherness. The dance duet is a genre with a history. In their most familiar forms, duets reflect the range of possibilities for relating, which resonate within a certain cultural imaginary. In particular, they reveal common-sense attitudes towards who gets to move, how, and under what conditions.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

For newpolyphonies, Myriam Van Imschoot was inspired by insects, climate marches and the recent manifestations against cutbacks in the arts and civil society. The guiding principle is not the loud chanting of the crowd, but the experience that each individual - like a link in chain - can set a vortex of sounds in motion.

In this new solo performance, Simon Mayer explores different states of „being moved". What moves us? What does it mean to be moved - emotionally, physically, mentally? What is the importance today of letting go and surrendering to the present moment?

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in a series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in a series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in a series of études.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in a series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in a series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.