Gaëtan Rusquet's the eYe in the light in the eYe resonates with Brancusi's self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

Gallop (Biography of a Body) tells the bizarre story of the life cycle of a body. It is a chronically ill body that has reached a turning point after forty years, and often seems to have a life of its own. Its service fails and resistance loses.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

One day a month, Caravan Production, Hiros, workspacebrussels and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish arts decree. From administration, production, distribution, communication to accounting, an extended team is at their disposal to share their experiences and exchange knowledge.

A broadcasting company at times, and at others, a foreign broadcast monitoring centre, two performative works part of the first chapter a common consent to listen. a collective dissent of interpretation explore new ways of 'exhibiting' and activating a unique and little-known archive of a time when Algiers was dubbed the 'Mecca of Revolution'.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

One day a month, Caravan Production, Hiros, workspacebrussels and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish arts decree. From administration, production, distribution, communication to accounting, an extended team is at their disposal to share their experiences and exchange knowledge.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

For newpolyphonies, Myriam Van Imschoot was inspired by insects, climate marches and the recent manifestations against cutbacks in the arts and civil society. The guiding principle is not the loud chanting of the crowd, but the experience that each individual - like a link in chain - can set a vortex of sounds in motion.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

For newpolyphonies, Myriam Van Imschoot was inspired by insects, climate marches and the recent manifestations against cutbacks in the arts and civil society. The guiding principle is not the loud chanting of the crowd, but the experience that each individual - like a link in chain - can set a vortex of sounds in motion.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in a series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.