SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that "money rules the world", are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

Gaëtan Rusquet's the eYe in the light in the eYe resonates with Brancusi's self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

Currents unfolds in two parts, as a durational installation and a performance. The installation explores the simplest of forms, a line, turned into a light sculpture. Through repetition, it defines not only rhythm, space and light, but also the movements of a dancer. He will meet and confront the moving sculpture in an effort to reconfigure the relationship between man and machine.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that "money rules the world", are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

Caravan Production, Hiros, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Caravan Production, Hiros, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Can the money we all use on a daily basis, be held responsible for the disastrous state the world is in today? In other words, if it is true that "money rules the world", are we then not entitled to make it accountable for what has happened to the world under its governance? Trials of Money approaches this somewhat candid statement with the seriousness of a court of justice.

Caravan Production, Hiros, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

Several Belgium-based artists are invited to present their practice through talks, videos and (fragments of) their work and research. This encounter and exchange is created for programmers and professionals active in the performing arts field.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

Caravan Production, Hiros, workspacebrussels, Arts Management Agency (AMA), ZOO/Thomas Hauert, Entropie Production and invited guests join forces to meet Brussels-based artists and cultural workers who have questions about the realisation of their projects within the Flemish and Walloon arts decree.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Both, Two Tussing & Vanderbruggen examine the duet, the smallest unit of togetherness. The dance duet is a genre with a history. In their most familiar forms, duets reflect the range of possibilities for relating, which resonate within a certain cultural imaginary. In particular, they reveal common-sense attitudes towards who gets to move, how, and under what conditions.

The focus of Sons of Sissy is the universe of traditions, folk dances and folk music from which the Upper Austrian country lad Simon Mayer originates.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

Gaëtan Rusquet's the eYe in the light in the eYe resonates with Brancusi's self-portraits and sculptural clichés, and his desire to make visible the absolute, the very essence of a form or an idea.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In this solo performance, Simon Mayer explores different states of „being moved". What moves us? What does it mean to be moved? What is the importance today of letting go and surrendering to the present moment?

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In the fashion of a radio series, two performative works form the first two episodes of we dreamt of utopia and we woke up screaming. A broadcasting company at times, and a foreign broadcast monitoring centre at others, they explore new ways of 'exhibiting' and activating a unique and little-known archive of a time when Algiers was dubbed the 'Mecca of Revolution'.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

SunBengSitting is a piece straddling yodeling, folk dance and contemporary dance, a trip to the past and a playful, humorous search for identity.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.

In Soirée d'études, Cassiel Gaube expands the research set out in his solo Farmer Train Swirl - Étude and creates a trio exploring the rich vocabulary of House Dance in an ever-evolving and expanding series of études.

In Tactile Quartet(s), Vera Tussing builds on her longstanding choreographic practice in exploring the sensory potentialities of the audience. The piece puts the string quartet Quatuor MP4 in communication with a quartet of dancers – Yoh Morishita, Zoltán Vakulya, Esse Vanderbruggen, Vera Tussing – inviting the audience into a deeply layered and multi-sensory encounter between movement and sound.

In this solo performance, Simon Mayer explores different states of „being moved". What moves us? What does it mean to be moved? What is the importance today of letting go and surrendering to the present moment?

This work springs from the desire to develop a dance performance within the habitat of an already existing dance style, taking the exploration of its intrinsic complexity as the departure point for the elaboration of a choreographic object. Farmer Train Swirl - Étude is a kinesthetic and subjective investigation of the field of House dance - a style born in the clubs of Chicago & New York in the early eighties.